39. Sea Shell Lace

At the end of the last pattern I referred to this next post as "Loose Ends" because I anticipated presenting Sea Shell Lace as an incomplete pattern. I simply could not make heads nor tails of the final row. It begins with 11 stitches and needs to end up with 8 in order to be ready to start again at Row 1, and yet it appeared that far more than 3 stitches were bound off. The sample that had once accompanied the pattern provided no clues-- it was missing and all that was left was the line of glue where it had been attached.

When an internet search failed to turn up a corrected version of the pattern I debated whether to include it at all, but finally decided that someone reading this might recognize the design and share it with us. So I knit the repeat as far as I could, pinned out and photographed the little swatch, and prepared to write my post. In place of a chart I planned to use a scan of the original page of the sample book for illustration, and as I got the book ready to place on the scanner, my eyes fell on the last few words: pick over k6. Oops. I had been knitting from my transcription in which I omitted that all-important "k," making it seem that six stitches were passed over one to cup the fabric in the manner of 13. Shell Pattern. Small mistake, but what a difference. So it was back to knitting to finish the sample, and without further ado I offer for your consideration "Sea Shell Lace."

You can download the full-size chart, verbal instructions and notes here.

Next time: The Grand Finale (and it will be worth the wait!)

38. Untitled Edging

This is another pattern our Victorian knitter copied down in her sample book without including its name. Two rows of ladder eyelets run along the top. Slightly overlapping raised leaves, worked in stockingnet and offset by a narrow band of reverse stockingnet above and below the motifs, are laid end to end. The contour of the leaves tends to pull the eyelet rows into a soft curve, which can be enhanced or discouraged in the blocking process. Again with this pattern we see the tendency of 19th Century designers to use K2tog on both sides of a tapering motif, where a modern lace knitter would employ balanced decreases. The lower garter stitch portion of the design might make a good Rorschach test-- I see sideways Christmas trees and pawprints...

After a big jump in the first row due to the double yarn overs, the stitch count rises steadily as the leaf widens, from 22 to 33 by row 8. Some of the added stitches are bound off in rows 9 and 11, before more double yarn overs increase the count again. From row 16 on, the tapering of the leaf tip decreases the stitch count evenly, and the last few added stitches are cast off in the final row of the 20-row repeat, creating the smaller notch along the lower edge.

You can download the full-size chart, verbal instructions and notes here.

Next week: Loose Ends